End the conversation either by pressing or by choosing "I'd better get back to the mission."."The distress call was from Prima Doom? How do we get there?" (you'll receive another Star Chart)."How are we going to take down the shields?" (you'll receive the Omicron Inhibitor)."How are we going to get control of the ship's cargo boom arms?".Choose the following conversation options: Leave Shay's Room through the Vent and talk to Marek.Again, as soon as you regain control of Shay whilst the Space Weaver is preparing to transport the ship, return through the vent into Marek's Hub. Go through the vent into the Space Weaver's Room and give the new Star Chart to the Space Weaver.In the following cutscene, Shay will receive a second Star Chart. Talk to Marek and carry out the first rescue mission.You don't need to watch the Space Weaver transport the ship and this saves valuable seconds. As soon as you regain control of Shay, whilst the Space Weaver is preparing to transport the ship, return through the vent into Marek's Hub. Go through the Vent into the Space Weaver's Room.In the following cutscene, you'll receive a Star Chart. Place the Inflated Doll on Shay's Bed and then exit through the Vent. Combine the Compressed Air and Inflatable Doll.Unscrew the Vent and take out the Inflatable Doll that is inside. While in Shay's Room, pick up the Tank of Compressed Air and unwrap the Parcel to receive Grabbin' Gary. During the following cutscene, Shay will receive the Screwdriver. Once the Knitted Creature has let go of the track and the train is rolling down the mountain, quickly click on the Sleeping Bridge Man again to withdraw the bridge. Click on the Sleeping Bridge Man to create a bridge across the canyon.Once back on the Bridge, choose "Let's catch that runaway train!".Click on the Creature to see another cutscene.Choose "We have to defend the Friendship Circle!" Shay will return to the Bridge where he must pick another mission.Walk over to the right side of the screen to see the foreign object.Choose the "Better suit up and investigate that foreign body" conversation option.Pick up the Spoon and use it on the cereal bowl to see another cutscene.Accept the Choco Rockets (bottom conversation option).When Shay's Mom has appeared, click on Shay's blanket to trigger a cutscene. Click on the orb with Shay's Dad in it.If this is your first playthrough, I really recommend that you first use the walkthrough that starts on page three. I won't be using too much detail as this should be your second playthrough. The guide below is a simple itemised list of the actions that you need to complete to get through the game.
#Broken age peach manual#
Create a manual save at the start of each section and turn off autosaves so that if you ever exceed the time limits for any of these sections, this will allow you to replay them without losing any of your progress in earlier sections. This means that you don't have to watch the characters walking/running across the screen and it saves a lot of time.Īs a guideline, these are the ideal times for getting through each section. There are some cutscenes and conversations that can't be skipped - I'll mention these as we go on.ĥ) When travelling from location to location, be sure to double click on the transition arrows. If you listen and watch everything that goes on, there's no way that your save will clock in at under 60 minutes. While the 60 minute run is definitely possible, the time limit isn't generous enough to allow for a lot of extra steps.Ĥ) Use to skip dialogue and cutscenes. Similarly, don't select any unnecessary conversation options for the same reason. These just add unnecessary time and interactions to your playthrough. You can reload saves and replay sections as many times as you like to get a good run before you move on.ģ) Don't click on any items that are not mentioned in the steps below. If you make a mistake and take too much time on a puzzle, such as the crane game, reload the save file and try again. 2) Make frequent manual saves, particularly before puzzles that require skill and timing to get them right.
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